'CrazySexyCool' TLC musical to debut in 2026
Published in Entertainment News
ATLANTA — Atlanta R&B group TLC has developed a musical about their colorful career that will open in the District of Columbia in 2026.
“CrazySexyCool ― The Musical” will debut at Arena Stage in June 2026 and run for eight weeks.
TLC’s story has been told before, including two VH1 “Behind the Music” specials, a scripted VH1 movie in 2013 and 2023 documentary “TLC Forever.” The innovative Grammy-winning group has experienced no shortage of drama, including financial problems, internal creative tensions and the 2002 death of Lisa “Left Eye” Lopes. The other two members, Rozonda “Chilli” Thomas and Tionne “T-Boz” Watkins, still tour, recording their most recent album in 2017.
This musical has been in development for several years. Thomas and Watkins first talked about it in 2019.
“We have so many stories to tell,” Thomas said at the time. “We didn’t tell it all in our biopic we did with VH1. A lot of good stuff. It’s gonna be very emotional but a good ride.”
Writer and director Kwame Kwei-Armah (”One Love: The Bob Marley Musical”) will oversee the project, with choreography by Chloe O. Davis. The musical will incorporate huge hits like “Ain’t 2 Proud 2 Beg,” “Waterfalls,” “Creep,” “Unpretty” and “No Scrubs.”
“TLC completely changed the game,” producer Bill Diggins said in a news release. “Their music gave a voice to women everywhere, empowering them to be confident and unapologetic. But this isn’t just a story about the music; it’s about the sisterhood between these women and what kept them together through both unimaginable challenges and chart-topping success.”
Thomas said in the release that “audiences will get to hear our story — mostly fact with a sprinkle of fiction — told in our own way.”
People involved with the project were not available for interviews, a spokeswoman said.
The musical’s performance in Washington will likely determine in part whether it goes to Broadway or gets a national tour.
A representative for the production did not immediately respond to The Atlanta Journal-Constitution’s request for more information, including the extent of the surviving members’ involvement in developing the musical.
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